Enquire about this picture£1,500
Presentation: Framed
19 drawings, mostly watercolour and pencil on lined paper, all approximately 19x15 cm (7½×5⅞in).
Provenance: William de Belleroche; private collection
William de Belleroche noted in his personal catalogue that Brangwyn painted nineteen watercolours and pen and ink sketches in a: ˜precious little volume which was originally an exercise book and Sir Frank filled up this little volume with water-colours painted in his garden to remain as a souvenir for Count de Belleroche and remind him of the places where most of the discussions they had together [sic].'47
The four drawings reproduced here show Brangwyn and Lizzie Peacock by the sundial on the lawn, with Brangwyn's house extension to the right; and various parts of the garden with Brangwyn's earthenware pots, where the artist and Belleroche ˜talked of Art'.
Enquire about this picture£1,500
Presentation: Framed
19 drawings, mostly watercolour and pencil on lined paper, all approximately 19 x 15 cm.
Provenance: William de Belleroche; private collection
William de Belleroche noted in his personal catalogue that Brangwyn painted nineteen watercolours and pen and ink sketches in a: ˜precious little volume which was originally an exercise book and Sir Frank filled up this little volume with water-colours painted in his garden to remain as a souvenir for Count de Belleroche and remind him of the places where most of the discussions they had together [sic].'47
The four drawings reproduced here show Brangwyn and Lizzie Peacock by the sundial on the lawn, with Brangwyn's house extension to the right; and various parts of the garden with Brangwyn's earthenware pots, where the artist and Belleroche ˜talked of Art'.
Enquire about this picture£1,500
Presentation: Framed
19 drawings, mostly watercolour and pencil on lined paper, all approximately 19x15 cm (7½×5⅞in).
Provenance: William de Belleroche; private collection
William de Belleroche noted in his personal catalogue that Brangwyn painted nineteen watercolours and pen and ink sketches in a: ˜precious little volume which was originally an exercise book and Sir Frank filled up this little volume with water-colours painted in his garden to remain as a souvenir for Count de Belleroche and remind him of the places where most of the discussions they had together [sic].'47
The four drawings reproduced here show Brangwyn and Lizzie Peacock by the sundial on the lawn, with Brangwyn's house extension to the right; and various parts of the garden with Brangwyn's earthenware pots, where the artist and Belleroche ˜talked of Art'.
Enquire about this picture£1,500
Presentation: Framed
19 drawings, mostly watercolour and pencil on lined paper, all approximately 19x15 cm (7½×5⅞in).
Provenance: William de Belleroche; private collection
William de Belleroche noted in his personal catalogue that Brangwyn painted nineteen watercolours and pen and ink sketches in a: ˜precious little volume which was originally an exercise book and Sir Frank filled up this little volume with water-colours painted in his garden to remain as a souvenir for Count de Belleroche and remind him of the places where most of the discussions they had together [sic].'47
The four drawings reproduced here show Brangwyn and Lizzie Peacock by the sundial on the lawn, with Brangwyn's house extension to the right; and various parts of the garden with Brangwyn's earthenware pots, where the artist and Belleroche ˜talked of Art'.
Enquire about this picture£900
Presentation: Framed
19 drawings, mostly watercolour and pencil on lined paper, all approximately 19x15 cm (7½×5⅞in).
Provenance: William de Belleroche; private collection
William de Belleroche noted in his personal catalogue that Brangwyn painted nineteen watercolours and pen and ink sketches in a: ˜precious little volume which was originally an exercise book and Sir Frank filled up this little volume with water-colours painted in his garden to remain as a souvenir for Count de Belleroche and remind him of the places where most of the discussions they had together [sic].'47
The four drawings reproduced here show Brangwyn and Lizzie Peacock by the sundial on the lawn, with Brangwyn's house extension to the right; and various parts of the garden with Brangwyn's earthenware pots, where the artist and Belleroche ˜talked of Art'.
Enquire about this picture£1,500
Presentation: Framed
19 drawings, mostly watercolour and pencil on lined paper, all approximately 19x15 cm (7½×5⅞in).
Provenance: William de Belleroche; private collection
William de Belleroche noted in his personal catalogue that Brangwyn painted nineteen watercolours and pen and ink sketches in a: ˜precious little volume which was originally an exercise book and Sir Frank filled up this little volume with water-colours painted in his garden to remain as a souvenir for Count de Belleroche and remind him of the places where most of the discussions they had together [sic].'47
The four drawings reproduced here show Brangwyn and Lizzie Peacock by the sundial on the lawn, with Brangwyn's house extension to the right; and various parts of the garden with Brangwyn's earthenware pots, where the artist and Belleroche ˜talked of Art'.
Enquire about this picture£1,500
Presentation: Framed
19 drawings, mostly watercolour and pencil on lined paper, all approximately 19x15 cm (7½×5⅞in).
Provenance: William de Belleroche; private collection
William de Belleroche noted in his personal catalogue that Brangwyn painted nineteen watercolours and pen and ink sketches in a: ˜precious little volume which was originally an exercise book and Sir Frank filled up this little volume with water-colours painted in his garden to remain as a souvenir for Count de Belleroche and remind him of the places where most of the discussions they had together [sic].'47
The four drawings reproduced here show Brangwyn and Lizzie Peacock by the sundial on the lawn, with Brangwyn's house extension to the right; and various parts of the garden with Brangwyn's earthenware pots, where the artist and Belleroche ˜talked of Art'.
Enquire about this picture£1,500
Presentation: Framed
19 drawings, mostly watercolour and pencil on lined paper, all approximately 19x15 cm (7½×5⅞in).
Provenance: William de Belleroche; private collection
William de Belleroche noted in his personal catalogue that Brangwyn painted nineteen watercolours and pen and ink sketches in a: ˜precious little volume which was originally an exercise book and Sir Frank filled up this little volume with water-colours painted in his garden to remain as a souvenir for Count de Belleroche and remind him of the places where most of the discussions they had together [sic].'47
The four drawings reproduced here show Brangwyn and Lizzie Peacock by the sundial on the lawn, with Brangwyn's house extension to the right; and various parts of the garden with Brangwyn's earthenware pots, where the artist and Belleroche ˜talked of Art'.
Enquire about this picture£1,500
Presentation: Framed
(D1950-1965) 20 drawings, mixed media on paper, all approximately 25×19cm (9⅞×7½in)
Provenance: William de Belleroche (nos 17-35 and 117); private collection
The following 20 sketches form part of a series produced as illustrations, referred to in a letter from Brangwyn to Martin Hardie:
˜By the way you remember I lent you one or two rough heads of Pirates etc for that Turpin[?] book, can you lay your hand on them as they were part of a collection which belongs to a publisher who wishes to publish the lot.'46
*Old Sea Character in a Bowler Hat, *Chief of Combatore, *Lion of Samsun, *Ralph Fitch, *Bearded Sea Captain, *An Armenian, Abraham Birdvod of Ipswich, 1522, Captain Chas, Coal King, His Richness of Bal, Isac Cutts, Keeper of a Low House, Man of Maratha, Mule Man, Old Boatman, Old Sailor, Patwawantin: The Ojibway Chief, Ralph Gonson, Sir E Osborn, Whaler of Rye.
Enquire about this picture£2,000
Presentation: Framed
(D1950-1965) 20 drawings, mixed media on paper, all approximately 25×19cm (9⅞×7½in)
Provenance: William de Belleroche (nos 17-35 and 117); private collection
The following 20 sketches form part of a series produced as illustrations, referred to in a letter from Brangwyn to Martin Hardie:
˜By the way you remember I lent you one or two rough heads of Pirates etc for that Turpin[?] book, can you lay your hand on them as they were part of a collection which belongs to a publisher who wishes to publish the lot.'46
*Old Sea Character in a Bowler Hat, *Chief of Combatore, *Lion of Samsun, *Ralph Fitch, *Bearded Sea Captain, *An Armenian, Abraham Birdvod of Ipswich, 1522, Captain Chas, Coal King, His Richness of Bal, Isac Cutts, Keeper of a Low House, Man of Maratha, Mule Man, Old Boatman, Old Sailor, Patwawantin: The Ojibway Chief, Ralph Gonson, Sir E Osborn, Whaler of Rye.
Enquire about this picture£2,000
Presentation: Framed
(D1950-1965) 20 drawings, mixed media on paper, all approximately 25×19cm (9⅞×7½in)
Provenance: William de Belleroche (nos 17-35 and 117); private collection
The following 20 sketches form part of a series produced as illustrations, referred to in a letter from Brangwyn to Martin Hardie:
˜By the way you remember I lent you one or two rough heads of Pirates etc for that Turpin[?] book, can you lay your hand on them as they were part of a collection which belongs to a publisher who wishes to publish the lot.'46
*Old Sea Character in a Bowler Hat, *Chief of Combatore, *Lion of Samsun, *Ralph Fitch, *Bearded Sea Captain, *An Armenian, Abraham Birdvod of Ipswich, 1522, Captain Chas, Coal King, His Richness of Bal, Isac Cutts, Keeper of a Low House, Man of Maratha, Mule Man, Old Boatman, Old Sailor, Patwawantin: The Ojibway Chief, Ralph Gonson, Sir E Osborn, Whaler of Rye.
Enquire about this picture£2,000
Presentation: Framed
(D1950-1965) 20 drawings, mixed media on paper, all approximately 25×19cm (9⅞×7½in)
Provenance: William de Belleroche (nos 17-35 and 117); private collection
The following 20 sketches form part of a series produced as illustrations, referred to in a letter from Brangwyn to Martin Hardie:
˜By the way you remember I lent you one or two rough heads of Pirates etc for that Turpin[?] book, can you lay your hand on them as they were part of a collection which belongs to a publisher who wishes to publish the lot.'46
*Old Sea Character in a Bowler Hat, *Chief of Combatore, *Lion of Samsun, *Ralph Fitch, *Bearded Sea Captain, *An Armenian, Abraham Birdvod of Ipswich, 1522, Captain Chas, Coal King, His Richness of Bal, Isac Cutts, Keeper of a Low House, Man of Maratha, Mule Man, Old Boatman, Old Sailor, Patwawantin: The Ojibway Chief, Ralph Gonson, Sir E Osborn, Whaler of Rye.
Enquire about this picture£2,000
Presentation: Framed
(D1950-1965) 20 drawings, mixed media on paper, all approximately 25×19cm (9⅞×7½in)
Provenance: William de Belleroche (nos 17-35 and 117); private collection
The following 20 sketches form part of a series produced as illustrations, referred to in a letter from Brangwyn to Martin Hardie:
˜By the way you remember I lent you one or two rough heads of Pirates etc for that Turpin[?] book, can you lay your hand on them as they were part of a collection which belongs to a publisher who wishes to publish the lot.'46
*Old Sea Character in a Bowler Hat, *Chief of Combatore, *Lion of Samsun, *Ralph Fitch, *Bearded Sea Captain, *An Armenian, Abraham Birdvod of Ipswich, 1522, Captain Chas, Coal King, His Richness of Bal, Isac Cutts, Keeper of a Low House, Man of Maratha, Mule Man, Old Boatman, Old Sailor, Patwawantin: The Ojibway Chief, Ralph Gonson, Sir E Osborn, Whaler of Rye.
Enquire about this picture£2,000
Presentation: Framed
(D1950-1965) 20 drawings, mixed media on paper, all approximately 25×19cm (9⅞×7½in)
Provenance: William de Belleroche (nos 17-35 and 117); private collection
The following 20 sketches form part of a series produced as illustrations, referred to in a letter from Brangwyn to Martin Hardie:
˜By the way you remember I lent you one or two rough heads of Pirates etc for that Turpin[?] book, can you lay your hand on them as they were part of a collection which belongs to a publisher who wishes to publish the lot.'46
*Old Sea Character in a Bowler Hat, *Chief of Combatore, *Lion of Samsun, *Ralph Fitch, *Bearded Sea Captain, *An Armenian, Abraham Birdvod of Ipswich, 1522, Captain Chas, Coal King, His Richness of Bal, Isac Cutts, Keeper of a Low House, Man of Maratha, Mule Man, Old Boatman, Old Sailor, Patwawantin: The Ojibway Chief, Ralph Gonson, Sir E Osborn, Whaler of Rye.
Enquire about this picture£2,000
Presentation: Framed
(D1950-1965) 20 drawings, mixed media on paper, all approximately 25×19cm (9⅞×7½in)
Provenance: William de Belleroche (nos 17-35 and 117); private collection
The following 20 sketches form part of a series produced as illustrations, referred to in a letter from Brangwyn to Martin Hardie:
˜By the way you remember I lent you one or two rough heads of Pirates etc for that Turpin[?] book, can you lay your hand on them as they were part of a collection which belongs to a publisher who wishes to publish the lot.'46
*Old Sea Character in a Bowler Hat, *Chief of Combatore, *Lion of Samsun, *Ralph Fitch, *Bearded Sea Captain, *An Armenian, Abraham Birdvod of Ipswich, 1522, Captain Chas, Coal King, His Richness of Bal, Isac Cutts, Keeper of a Low House, Man of Maratha, Mule Man, Old Boatman, Old Sailor, Patwawantin: The Ojibway Chief, Ralph Gonson, Sir E Osborn, Whaler of Rye.
Enquire about this picture£2,000
Presentation: Framed
(D1950-1965) 20 drawings, mixed media on paper, all approximately 25×19cm (9⅞×7½in)
Provenance: William de Belleroche (nos 17-35 and 117); private collection
The following 20 sketches form part of a series produced as illustrations, referred to in a letter from Brangwyn to Martin Hardie:
˜By the way you remember I lent you one or two rough heads of Pirates etc for that Turpin[?] book, can you lay your hand on them as they were part of a collection which belongs to a publisher who wishes to publish the lot.'46
*Old Sea Character in a Bowler Hat, *Chief of Combatore, *Lion of Samsun, *Ralph Fitch, *Bearded Sea Captain, *An Armenian, Abraham Birdvod of Ipswich, 1522, Captain Chas, Coal King, His Richness of Bal, Isac Cutts, Keeper of a Low House, Man of Maratha, Mule Man, Old Boatman, Old Sailor, Patwawantin: The Ojibway Chief, Ralph Gonson, Sir E Osborn, Whaler of Rye.
Enquire about this picture£2,000
Presentation: Framed
(D1950-1965) 20 drawings, mixed media on paper, all approximately 25×19cm (9⅞×7½in)
Provenance: William de Belleroche (nos 17-35 and 117); private collection
The following 20 sketches form part of a series produced as illustrations, referred to in a letter from Brangwyn to Martin Hardie:
˜By the way you remember I lent you one or two rough heads of Pirates etc for that Turpin[?] book, can you lay your hand on them as they were part of a collection which belongs to a publisher who wishes to publish the lot.'46
*Old Sea Character in a Bowler Hat, *Chief of Combatore, *Lion of Samsun, *Ralph Fitch, *Bearded Sea Captain, *An Armenian, Abraham Birdvod of Ipswich, 1522, Captain Chas, Coal King, His Richness of Bal, Isac Cutts, Keeper of a Low House, Man of Maratha, Mule Man, Old Boatman, Old Sailor, Patwawantin: The Ojibway Chief, Ralph Gonson, Sir E Osborn, Whaler of Rye.
Enquire about this picture£2,000
Presentation: Framed
(D1950-1965) 20 drawings, mixed media on paper, all approximately 25×19cm (9⅞×7½in)
Provenance: William de Belleroche (nos 17-35 and 117); private collection
The following 20 sketches form part of a series produced as illustrations, referred to in a letter from Brangwyn to Martin Hardie:
˜By the way you remember I lent you one or two rough heads of Pirates etc for that Turpin[?] book, can you lay your hand on them as they were part of a collection which belongs to a publisher who wishes to publish the lot.'46
*Old Sea Character in a Bowler Hat, *Chief of Combatore, *Lion of Samsun, *Ralph Fitch, *Bearded Sea Captain, *An Armenian, Abraham Birdvod of Ipswich, 1522, Captain Chas, Coal King, His Richness of Bal, Isac Cutts, Keeper of a Low House, Man of Maratha, Mule Man, Old Boatman, Old Sailor, Patwawantin: The Ojibway Chief, Ralph Gonson, Sir E Osborn, Whaler of Rye.
Enquire about this picture£2,000
Presentation: Framed
(D1950-1965) 20 drawings, mixed media on paper, all approximately 25×19cm (9⅞×7½in)
Provenance: William de Belleroche (nos 17-35 and 117); private collection
The following 20 sketches form part of a series produced as illustrations, referred to in a letter from Brangwyn to Martin Hardie:
˜By the way you remember I lent you one or two rough heads of Pirates etc for that Turpin[?] book, can you lay your hand on them as they were part of a collection which belongs to a publisher who wishes to publish the lot.'46
*Old Sea Character in a Bowler Hat, *Chief of Combatore, *Lion of Samsun, *Ralph Fitch, *Bearded Sea Captain, *An Armenian, Abraham Birdvod of Ipswich, 1522, Captain Chas, Coal King, His Richness of Bal, Isac Cutts, Keeper of a Low House, Man of Maratha, Mule Man, Old Boatman, Old Sailor, Patwawantin: The Ojibway Chief, Ralph Gonson, Sir E Osborn, Whaler of Rye.
Enquire about this picture£1,500
Presentation: Framed
19 drawings, mostly watercolour and pencil on lined paper, all approximately 19×15cm (7½×5⅞in).
Provenance: William de Belleroche; private collection
William de Belleroche noted in his personal catalogue that Brangwyn painted nineteen watercolours and pen and ink sketches in a: ˜precious little volume which was originally an exercise book and Sir Frank filled up this little volume with water-colours painted in his garden to remain as a souvenir for Count de Belleroche and remind him of the places where most of the discussions they had together [sic].'47
The four drawings reproduced here show Brangwyn and Lizzie Peacock by the sundial on the lawn, with Brangwyn's house extension to the right; and various parts of the garden with Brangwyn's earthenware pots, where the artist and Belleroche ˜talked of Art'.
Enquire about this picture£1,500
Presentation: Framed
19 drawings, mostly watercolour and pencil on lined paper, all approximately 19×15cm (7½×5⅞in).
Provenance: William de Belleroche; private collection
William de Belleroche noted in his personal catalogue that Brangwyn painted nineteen watercolours and pen and ink sketches in a: ˜precious little volume which was originally an exercise book and Sir Frank filled up this little volume with water-colours painted in his garden to remain as a souvenir for Count de Belleroche and remind him of the places where most of the discussions they had together [sic].'47
The four drawings reproduced here show Brangwyn and Lizzie Peacock by the sundial on the lawn, with Brangwyn's house extension to the right; and various parts of the garden with Brangwyn's earthenware pots, where the artist and Belleroche ˜talked of Art'.
Enquire about this picture£1,500
Presentation: Framed
19 drawings, mostly watercolour and pencil on lined paper, all approximately 19×15cm (7½×5⅞in)
Provenance: William de Belleroche; private collection
William de Belleroche noted in his personal catalogue that Brangwyn painted nineteen watercolours and pen and ink sketches in a: ˜precious little volume which was originally an exercise book and Sir Frank filled up this little volume with water-colours painted in his garden to remain as a souvenir for Count de Belleroche and remind him of the places where most of the discussions they had together [sic].'47
The four drawings reproduced here show Brangwyn and Lizzie Peacock by the sundial on the lawn, with Brangwyn's house extension to the right; and various parts of the garden with Brangwyn's earthenware pots, where the artist and Belleroche ˜talked of Art'.
Enquire about this picture£300
Presentation: Framed
Pencil, ink and watercolour on paper, 51×71cm (20⅛×28in)
Provenance: private collection
The painting shows the west façade of the 13th-century church of Saint Ayoul, Provins, Ile de France. The painting has, in the past, been mistakenly titled Poitiers.
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Presentation: Framed
Inscribed (not in Brangwyn’s hand) on stretcher: ‘MATSUKATA’
Mixed media on paper laid on canvas, 50.6×148.4cm (19⅞×58⅜in)
Provenance: Kojiro Matsukata; unknown
Ill: W K West, ‘Some Examples of Recent Work by Mr Frank Brangwyn ARA’, The Studio, February 1911, p22
The Studio magazine in which this work was reproduced (February 1911) captioned the design ‘sketch in oils for a frieze’. It is unclear whether it was a commissioned work, rather than speculative, or indeed whether it was ever realised. Although the stretcher is inscribed ‘MATSUKATA’, it seems unlikely that he commissioned the design as the earliest recorded contact between Matsukata and Brangwyn was 1916. (18)
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Presentation: Framed
Signed with monogram b.r.: 'FB'
Watercolour, pencil and gouache on toned paper, 52.1x73.7cm (20½x29 in)
Provenance: Dr Gregory; Harold Esselmont MBE; The Fine Art Society; private collection; The Fine Art Society
Exh: Ian MacNicol Galleries, Glasgow; The Fine Art Society, 1956
Cahors was a favourite sketching haunt of Brangwyn's - he also produced five etchings of the town. This scene shows the side view of the Barbacane which stands next to the Tour des Pendus
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Presentation: Framed
Signed with monogram b.l.: 'FB' and inscribed with title verso Watercolour and bodycolour on paper, 55x76cm (22x30½in)
Reference: Bunt 710
Provenance: William de Belleroche; The Fine Art Society; Texas Instruments, Dallas, USA; Lucy Winterbottom; private collection
Exh: Exhibition of Paintings Drawings & Etchings by Frank Brangwyn, 184 Queen's Gate, London, 1924 (No 212); Exhibition of Paintings by Sir Frank Brangwyn RA from the Collection of Count William de Belleroche, Ferens Art Gallery, Kingston upon Hull, 1953; Sir Frank Brangwyn RA: Paintings and Watercolours from the Collection of Count William de Belleroche, The Fine Art Society, 1958 (No 11), 250gns; The Fine Art Society Story, Part 2, The Fine Art Society, 2001 (No 31) (plus III).
Brangwyn delighted in the 'soft air' of Venice, and painted more than 55 watercolours of the city.
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Presentation: Framed
Signed with monogram b.r.: 'FB'
Watercolour and bodycolour on paper 55x76cm (21¾x29⅞in)
Reference: Bunt 728
Provenance: Lucy Winterbottom; The Fine Art Society; private collection
Exh: Autumn Exhibition of Paintings and Watercolours by Leading Artists, The Fine Art Society, 1922; The Fine Art Society Story, Part 2, The Fine Art Society, 2001 (No 32) (plus III) III: Edward Hutton, The Pageant of Venice, London: John Lane, The Bodley Head, 1922, facing p50
This watercolour depicts the Campo San Rocco, with the apse and tall campanile of Santa Maria Gloriosa, commonly known as Il Frari, background. The original Franciscan church dates back to the mid 13th century but was rebuilt in Venetian Gothic style in the 15th century.
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Presentation: Framed
Signed with monogram and title b.r.:‘FB KEW'
Watercolour and bodycolour, 55.2x76cm (21¾x29⅞in)
Brangwyn produced an etching of Kew Bridge, two soils and a further two watercolours, all of which show the length of the bridge in perspective. This viewpoint is unusual, placing the bridge horizontally.
This may be Bunt 319 which belonged to Sir Percy Thomas, the architect of the Guildhall at Swansea where Brangwyn's British Empire murals now hang.
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Presentation: Framed
Signed with monogram b.l.: 'FB'
Pencil and watercolour, 22.5x13cm (8⅞x5⅛in)
Provenance: William de Belleroche; private collection
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Presentation: Framed
Signed with monogram b.l.:‘FB’
Watercolour, 44×62cm (17¼×24½in)
The painting of Venetian boats was probably produced from memory.
Thumbnail panels:
